You can get that cranked Fender tone without having to play at super high volumes. This is part of what makes it one of the best Fender amps for home use.
When you start to crank it though, it’ll break into that beautiful vintage sounding distortion.Īt only 5 watts and with a small 8″ speaker, it will do this at quite a low volume. It has just a single volume control and no tone shaping controls whatsoever.Īt lower volumes, the Champ will produce a classic Fender clean tone. This is an amp that is all about simplicity.
If you are looking for an American voiced amp that you can play at home, then you should try the Fender 57 Custom Champ. With the Morgan Pr5 starting at around $1900/£1500, these amps aren’t cheap, but would be brilliant for those of you looking to spend a little bit more. This allows you to control the amount of decay in your reverb, which means you can add a lot of reverb without getting a ‘washed out’ sound. The Josh Smith signature is slightly different, in that it has a different speaker and also a 3db boost switch, which would make it a great choice if you want a slightly more overdriven tone.Īll of the Morgan amps come with reverb which has the very useful addition of a ‘dwell’ knob. The PR12 is basically just a bigger version of the PR5. However if you do want something a little louder with more headroom, then Morgan also offer the Morgan PR12 and the Josh Smith signature Morgan JS12. So if like me you play with a relatively clean tone that has just a bit of bite, then this amp would be perfect.Īll you need to do is pair it up with the right overdrive pedal and you’re all set.Īt 5 watts, the PR5 is a great amp for home use. The amps have beautiful clean tones and work very well as a platform for pedals. I’ve since done quite a lot of reading up on the Morgan range and I’m seriously considering buying the Morgan PR5. Smith is an amazing blues guitarist and he has a beautiful tone – one that is reminiscent of vintage Fender amps but with a modern twist. Morgan Amps first came onto my radar when I heard Josh Smith endorsing them. So in no particular order, here are some of the best amps for home use that will help you get those killer blues tones without disturbing your neighbours: The good news is that there are some great options out there for those of you playing at home. In short though, if you buy a big amp and have to play it quietly, you will struggle to get a decent blues tone. In fact buying an amp like that and playing it anywhere other than the stage will be to the detriment of your sound. Unless you are gigging at very large venues, you do not need a powerful, high watt amplifier. To my mind it is because so much of the information out there on guitar amps is not suitable for the vast majority of guitarists.
This time because the valve amp they thought would work so well actually sounds stifled and thin.Īmongst blues guitarists, this second mistake is by far the most commonly occurring. One that is too big to use anywhere other than at a huge venue.Īgain they find themselves disappointed. Unfortunately, they find themselves disappointed when they struggle to capture the tone and feeling of a real valve amp. They opt for a complex digital modelling amp that has a huge number of different tones and settings. They get sucked in by promises of endless tonal tweakery. I consistently struggled to get the sound I wanted, and remained uninspired by my gear.īuying the right guitar amp is deceptively tricky, and I think typically players make one of two mistakes: One mistake that I have consistently made in my quest for vintage blues tones is buying the wrong amp.Īs a younger player I was sucked in by the bells and whistles of digital modelling amps.Īfter that, I made the mistake of buying a very large valve amp.
0 kommentar(er)
